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und Medien für Ankündigungen
und Berichterstattungen
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Press reviews

“The logical merging of music, light and space produced a complete artwork of intimate demeanour, and an effect, that was by no means simply a whisper, but rather opened up spaces in a contoured way, which were then expanded in the climaxes to luscious fortes.” Remszeitung, July 27th, 2002

“Sounds were kindled that had not been heard so far, and will probably not be heard again so soon. Profound lines mixed with buoyant twangs, passionate lamentations with eruptive exaltation...” Aachener Zeitung, April 24th, 2002

“His kind of free improvisation has not, as for example free jazz does, placed the momentary solidly opposite all conventional constituents of music, but rather creates from sound and the love for the instrument” Odilo Clausnitzer, Bonner Generalanzeiger, March 20th, 2000

“A musical work of art...sparkling vehemency and a breezily gentle presence” KStA, April 6th, 2004

“Again and again the trumpet and clarinet sought a consonance, which one would not expect to find with these differing wind instruments. Without wordy explanations it became clear that intuitive music is a qualitatively different, perhaps even higher level of improvisation” RP, June 6th, 2006

“Markus Stockhausen [...] performed brilliantly with his congenial partner Tara Bouman in Moving Sounds, where an almost paradisiacal space was created, because in it one could whisk oneself away into one?s own realm of associations[...] Accompanied by competently sensitive, concisely powerful playing, encouraged by the warmth of the constantly changing light, that allured and never scared” Neue Westfälische, October 18th, 2005

“With his light installations he created the effect of a disconnected, mythical-paradisiacal place [...] A new dimension of tone colours and staged space” Neue Westfälische, October 18th, 2005

“Moving Sounds [...] was sound and colour simultaneously. Because Rolf Zavelberg set up the stage with amospheric light, sometimes made the performers appear in sharp silhouette on a canvas, then again the objects in the space would carry more weight: Machines, gears, hoists [...] In the backdrop of the Sensenschmied sounds and light installation joined to form a complete artwork” KStA, September 27th, 2004

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